News
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In ‘City on Fire,’ the New York of the Early 2000s Burns Bright
On the rooftop of the InterContinental Barclay Hotel in Manhattan last summer, a small group of people gazed awe-struck at…
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Chris Wheeldon’s ‘Dangerous and Exciting’ Adventure at City Ballet
Wheeldon is back at New York City Ballet, where he honed his choreographic skills, making a non-narrative work set to…
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What to See on Europe’s Opera Stages Next Season
Among our critic’s recommendations are multiple “Ring” cycles, a premiere by Ellen Reid and the soprano Lise Davidsen in Strauss’s…
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‘Guardians of the Galaxy Vol. 3’ Review: Raccoon Tears and a Final Mixtape
This dour, visually off-putting two-and-a-half-hour A.S.P.C.A. nightmare of a film may only be for completionist fans.
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Kate Bush, Missy Elliott and Willie Nelson Voted Into Rock Hall of Fame
Rounding out the far-from-traditional class of 2023: George Michael, Sheryl Crow, Rage Against the Machine and the Spinners.
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What to See in N.Y.C. Galleries in May
Want to see new art in the city? Check out Michael McGrath’s emoji landscapes, Enrique Chagoya’s “reverse anthropology” or King…
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Charles III’s Coronation: Music That Made Kings and Queens
How the sounds of this royal ceremony evolved, from the 10th century to Elizabeth II and her son’s coronation on…
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Tracing the Angry Path From Timothy McVeigh to Trumpism
“Homegrown,” by Jeffrey Toobin, revisits the 1995 Oklahoma City bombing, finding ominous parallels between the bomber’s anti-government extremism and the…
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A Black, Queer Hero’s Journey for the Digital Age
In Tembe Denton-Hurst’s new novel, “Homebodies,” a young woman loses her New York media job and must figure out how to…
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We’re Watching the End of a Digital Media Age. It All Started With Jezebel.
Ten years ago, a group of digital media companies thought the future belonged to us. New brands like Vice, Gawker,…